![]() ![]() ![]() Christopher Chase offered me a copy of his paper on Keith Jarrett and Gurdjieff, and David Nathan at the National Jazz Archive helped me arrange a visit there to locate some print sources. Alyn Shipton was kind enough to provide me with a transcription of his interview with Jarrett for BBC radio, while Marya Burgess at the BBC also helped with some questions. Tom Gsteiger, Stefan Diller, and Bruno Rub all provided various kinds of assistance. Olivier Bruchez, who runs a wonderful website on Jarrett, directed me to various individuals and answered some questions of discography. Maurizio Garbolino and Simon Savary both allowed me to share some of their insights on the 19 solo concerts in Europe. I would also like to express my thanks to a number of Jarrett enthusiasts. I am grateful to my colleagues in the Department of Drama and Music, who were willing to help by alleviating some of the pressures of an academic post while I was working on this book. The Faculty of Arts and Social Sciences at the University of Hull funded a semester of study leave in 2010, allowing me time to prepare the manuscript. jeremy barham series editor This page intentionally left blank CONTENTS acknowled gments Introduction Chapter 1 13 Chapter 2 28 Chapter 3 47 Chapter 4 64 Chapter 5 80 Chapter 6 105 Chapter 7 130 n ot es 3 1 43 bi blio gr aph y d i s c o g r a ph y index 165 15 5 163 ix This page intentionally left blank ACKNOWLEDGMENTS In writing this book, I have been fortunate to benefit from the help and assistance of many individuals. ![]() It sets out to renew musical debate in jazz scholarship, and to develop the subtle critical languages and vocabularies necessary to do full justice to the complex expressive, structural, and cultural dimensions of recorded jazz performance. With access to the latest scholarship and with an innovative and balanced approach to its subject matter, the series offers fresh perspectives on both well-known and neglected jazz repertoire. Each volume, authored by a leading scholar in the field, addresses either a single jazz album or a set of related recordings by one artist/group, placing the recordings fully in their historical and musical context, and thereby enriching our understanding of their cultural and creative significance. ML417.J35E47 2013 786.2'165092-dc23 2012012686 1 3 5 7 9 8 6 4 2 Printed in the United States of America on acid-free paper SERIES PREFACE the oxford studies in Recorded Jazz series offers detailed historical, cultural, and technical analysis of jazz recordings across a broad spectrum of styles, periods, performing media, and nationalities. Jarrett, Keith-Performances-Germany-Cologne. cm.-(Oxford studies in recorded jazz) Includes bibliographical references and index. Keith Jarrett’s the Köln concert / Peter Elsdon. Library of Congress Cataloging-in-Publication Data Elsdon, Peter. You must not circulate this work in any other form, and you must impose this same condition on any acquirer. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Oxford University Press 2013 All rights reserved. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trademark of Oxford University Press in the UK and certain other countries. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. KEITH JARRETT’S THE KÖLN CONCERT OX F O RD S T U D I E S I N RE CO RD ED JAZ Z Series Editor jeremy barham Louis Armstrong’s Hot Five and Hot Seven Recordings Brian Harker The Studio Recordings of the Miles Davis Quintet, 1963–68 Keith Waters Benny Goodman’s Famous 1938 Carnegie Hall Jazz Concert Catherine Tackley Keith Jarrett’s The Köln Concert Peter Elsdon KEITH JARRETT’S THE KÖLN CONCERT P ETER E LSDON 1 1 Oxford University Press is a department of the University of Oxford.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |